Category Archives: Days gone by

I Love Paris in The Springtime

Well, who does n´t? I have just spent a few in the city attending the Gourmand World Cookbook Summit. Spring happened to be there too. Always inspiring. Of course I managed to get some pictures from the Eiffel Tower.  Here is a small selection for you.

Only one image is made with my phone…

It has been too long since I last wrote here and showed some images. It will not take that long before next time. More from Paris coming up.

😊   Pelle

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Perhaps to be included in the 2019 calendar

These images could be selected for the 2019 calender. A project I have made for about 20 years together with my dear friend Peter Schaeublin in Schaffhaussen, Switzerland. And the Stamm printers. The calendar has always been a giveaway and is not for sale.

Pelle😊

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“a man with the camera of an artist, the pen of a poet and a genius for the impossible”

Said by Harrison Salisbury about David Douglas Duncan. A life in photography. This is fantastic reading from Washington Post with many great links for more interesting material.

https://www.washingtonpost.com/local/obituaries/david-douglas-duncan-photo-nomad-who-captured-war-and-picasso-dies-at-102/2018/06/07/8b8fb84e-6a93-11e8-9e38-24e693b38637_story.html?utm_term=.bbec8af2b344

Top image, Marine Capt. Ike Fenton during a Korean War battle in 1950.                                (© David Douglas Duncan/Harry Ransom Center)

😊  Pelle

It is not always as you think it is…

How a Galway Pub Led to a Skyscraper

A friend just sent me this article about another classic image many thought, for good reasons, was made by Hine. A great story. He found it in The New York Times.

🙂  Pelle

Rare photographs that changed lives

And photography still changes lives! 🙂  Pelle

http://www.bbc.com/news/in-pictures-43031764

Twenty-four photographs from the Lewis Hine archive have been auctioned in New York. The rare prints were from the collection of the late New York photographer Isador Sy Seidman.

American sociologist Hine was one of the most important documentary photographers of the 20th Century. Because the notion of photojournalism and documentary did not exist at the time, Hine called his projects “photo stories”, using images and words to fight for the causes he believed in.

The prints span Hine’s career and many are from his most well-known projects, centring on the poor and disadvantaged from the Carolinas, New York and Pittsburgh.

All photographs courtesy of Swann Auction Galleries.

The above image: Hot day on East Side, New York, 1908.

I found these photographs in BBC.

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Labourer on connector, Empire State Building, 1930-31.
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Pennsylvania coal breakers, [Breaker Boys], 1912.

I admit

That I don´t often get too impressed by photography that I see. But this is just wonderful. I think! 😀  Pelle

 From Washington Post

Timeless tintypes of the world’s most photographed subjects

https://www.washingtonpost.com/news/in-sight/wp/2017/12/19/timeless-tintypes-of-the-worlds-most-photographed-subjects/?hpid=hp_hp-visual-stories-desktop_no-name%3Ahomepage%2Fstory&utm_term=.854c17288b1e

At Sundance Film Festival, photographer Victoria Will had just minutes with some of Hollywood’s most famous actors and directors — arguably, some of the most photographed people in the world — but she chose a process that at its core is imperfect: tintype.

The 19th century wet-plate photography process predates film. There are no negatives, no large digital files or multiple frames, and no do-overs. Each image is one of a kind.

It starts in the darkroom, where each plate must be coated by hand with light sensitive emulsion. The exposure starts with a comically blinding amount of light, which is reflected off the subject into the camera lens and onto the aluminum plate still wet with emulsion. Any dry patches will remain undeveloped. It is an unforgiving medium. It also makes each image undeniably unique.

“I love that when you make a tintype you are making a thing, a physical photographic object — one that you can hold and experience in a different way,” Will told In Sight. “But I also love the finicky nature of the chemistry. Each plate is one of a kind. In the digital age these two aspects of the medium really inspire me.”

On one of the last pages of the book is a quote from Walker Evans: “The eye traffics in feelings, not in thoughts.” When asked, Will said it sums up what she loves and why she is so drawn to photography. “A successful image for me is one that makes you feel. It needs to touch you in some way,” she said. “I think unconsciously, and clearly articulated by Evans here, photographers are moved by emotion. That’s what is actually pushing the shutter.”

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I went fishing

Something that I don´t often do. However, with my dear friend Knut, his brother Asle and their wonderful friends in Norway it all went well. We caught lots of fish. Fishing is very relaxing. Also taking care of the net after is contemplative. We had so much of everything and nothing to talk about. First time I managed to photograph fishing as well.

Thanks Knut for letting me borrow your camera!

😊  Pelle

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