Tag Archives: personal

A long and dear cooperation

2017. Used gloves. I found them on the streets mostly.

It started in 1998. I had met Peter Schäublin at a Sinar workshop in Schaffhaussen, Switzerland. At the time he worked at the company as head of prints, brochures etc. We became friends and started to share ideas. We came up with the idea of a calendar and made the first one in 1998, together with the local Swiss printer Stamm. We kept it up until 2019, with only two years that we missed. Time and economics change so it is no more. It was a dear challenge to me to come up with new ideas for images every year. The very first images were produced with my Dicomed Digital 4×5″ scanner camera.

Peter, a very talented photographer and graphic designer, developed a design that complimented my images. Over the years it became more and more playful.

Here is a small selection of images. I used flowers, toys, food, used gloves, vegetables, old tools, ice, instruments, spoons, watches etc. for props. It is all very much “Pelle Style”.

If you would like to see more images from our cooperation , have a look at my homepage: https://www.znapshot.se/kalendrar-2002-2019

I really love being a photographer!

😊 Pelle

1998, Iris. Early digital images with My Dicomed.
2009. Vegetables on steel.
2004. Water guns with peaceful messages.
2011. Ice. Inspired by Irving Penn.
2014. Old Swiss watches.
2005. Flowers.
2015. Food from the cookbock with chef KC Wallberg. ” My Culinary Kingdom”.
2007. Still life with fruit and vegetables.
2019. Old tools with herbs and spices.
2003. Old cutlery.
An early selection. 1999 was not a calendar together with Peter.

Your Image has been selected

It has been SO long since I last wrote something here on my blog. Now is a good day to start all over again. This image just got selected by YourDailyPhotograph.com
Last time I published some images was november 2019, from Paris. The year and the visit when this image was made…

Dear Per Erik,

Congratulations. We are pleased to announce our curators have chosen your image for inclusion into YourDailyPhotograph.com. We select a very small percentage of photographs submitted.

We expect your image to post in two days.

You’re in good company — in the recent past images from Henri Cartier-Bresson, Andreas Gursky, Richard Misrach, Andre Kertesz, Edward Burtynsky and other photography legends have appeared in YDP.




I Love Paris in The Springtime

Well, who does n´t? I have just spent a few in the city attending the Gourmand World Cookbook Summit. Spring happened to be there too. Always inspiring. Of course I managed to get some pictures from the Eiffel Tower.  Here is a small selection for you.

Only one image is made with my phone…

It has been too long since I last wrote here and showed some images. It will not take that long before next time. More from Paris coming up.

😊   Pelle

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Perhaps to be included in the 2019 calendar

These images could be selected for the 2019 calender. A project I have made for about 20 years together with my dear friend Peter Schaeublin in Schaffhaussen, Switzerland. And the Stamm printers. The calendar has always been a giveaway and is not for sale.

Pelle😊

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A picture a day…

Perhaps it keeps the doctor away. His wife will know.

https://www.washingtonpost.com/graphics/2018/lifestyle/magazine/amp-stories/capturing-washington-city-life-through-street-photography/?hpid=hp_hp-visual-stories-desktop_no-name%3Ahomepage%2Fstory

Great images by and a fine story about Robert Miller.

Skärmavbild 2018-10-08 kl. 10.48.54

And the winner is…

Hurricane Red! ( Image at the top ). Winner of Stockholms Stora Pris for the third time and second year in a row with jockey Jacob Johansen.

Images from Bro Park racetrack on the 18th.

😊  Pelle

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“a man with the camera of an artist, the pen of a poet and a genius for the impossible”

Said by Harrison Salisbury about David Douglas Duncan. A life in photography. This is fantastic reading from Washington Post with many great links for more interesting material.

https://www.washingtonpost.com/local/obituaries/david-douglas-duncan-photo-nomad-who-captured-war-and-picasso-dies-at-102/2018/06/07/8b8fb84e-6a93-11e8-9e38-24e693b38637_story.html?utm_term=.bbec8af2b344

Top image, Marine Capt. Ike Fenton during a Korean War battle in 1950.                                (© David Douglas Duncan/Harry Ransom Center)

😊  Pelle

For a start…

Horses and jockeys, off course. But there would be no races without starters. They assist the jockeys in loading the horses into the boxes and they help calming some nervous horses. Here are e few images from yesterdays races, and some of the starters at Bro Park. It is always such an inspiration to go there.

First, the races.

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And now some starters.

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😊 🏇 😊  Pelle

I admit

That I don´t often get too impressed by photography that I see. But this is just wonderful. I think! 😀  Pelle

 From Washington Post

Timeless tintypes of the world’s most photographed subjects

https://www.washingtonpost.com/news/in-sight/wp/2017/12/19/timeless-tintypes-of-the-worlds-most-photographed-subjects/?hpid=hp_hp-visual-stories-desktop_no-name%3Ahomepage%2Fstory&utm_term=.854c17288b1e

At Sundance Film Festival, photographer Victoria Will had just minutes with some of Hollywood’s most famous actors and directors — arguably, some of the most photographed people in the world — but she chose a process that at its core is imperfect: tintype.

The 19th century wet-plate photography process predates film. There are no negatives, no large digital files or multiple frames, and no do-overs. Each image is one of a kind.

It starts in the darkroom, where each plate must be coated by hand with light sensitive emulsion. The exposure starts with a comically blinding amount of light, which is reflected off the subject into the camera lens and onto the aluminum plate still wet with emulsion. Any dry patches will remain undeveloped. It is an unforgiving medium. It also makes each image undeniably unique.

“I love that when you make a tintype you are making a thing, a physical photographic object — one that you can hold and experience in a different way,” Will told In Sight. “But I also love the finicky nature of the chemistry. Each plate is one of a kind. In the digital age these two aspects of the medium really inspire me.”

On one of the last pages of the book is a quote from Walker Evans: “The eye traffics in feelings, not in thoughts.” When asked, Will said it sums up what she loves and why she is so drawn to photography. “A successful image for me is one that makes you feel. It needs to touch you in some way,” she said. “I think unconsciously, and clearly articulated by Evans here, photographers are moved by emotion. That’s what is actually pushing the shutter.”

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