Tag Archives: Art

The Observer W Eugene Smith, the photographer who wanted to record everything

Together with Avedon, Penn, Steichen, Strand, Arbus, Cartier-Bresson, Albert Watson and a few more, he is one of the truly great photographers. For me. They are all different and perhaps I should not compare them. So I don´t. Read the article from The Guardian, by Sean O `Hagan.

See the images and imagine the sound that he recorded.     😊   Pelle

Smith took many famous pictures, but also taped hours of audio of jazz greats, writers and artists of the day in his New York loft. A new book explores his strange world

Smith was perhaps the single most important American photographer in the development of the editorial photo essay. His visual narratives, usually published in Life magazine, were often brutally atmospheric. He evoked the horrors of the second world war in the Pacific, where he was injured by mortar fire, and chronicled the working life of Dr Ernest Ceriani in the small town of Kremmling, Colorado, in his 1948 series, Country Doctor, now recognised as the first extended editorial photo story.

In 1955, Smith became a member of the Magnum picture agency, travelling to Pittsburgh for his first assignment, which entailed producing 100 photographs in three weeks to mark the city’s first centenary. He worked on the project for three years, producing around 21,000 photographs. Today, his legacy is maintained by the W Eugene Smith Memorial Fund, which celebrates and encourages the kind of humanistic photography he pioneered, if not the impossible tasks he set himself and his beleaguered editors.

https://www.theguardian.com/artanddesign/2017/aug/06/w-eugene-smith-photographer-record-everything

Gene Smith’s Sink by Sam Stephenson is published by Farrar, Straus and Giroux on 22 August ($26)

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A US soldier during the final days of fighting to gain control of the island of Saipan from occupying Japanese forces during the second world war. Photograph: W Eugene Smith/Life/Getty
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Smoke pours from the chimneys of an Ohio steel mill in a 1949 picture for Life magazine. Photograph: W Eugene Smith/Life/Getty
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Country doctor Ernest Ceriani photographed after having performed a caesarean section during which both baby and mother died due to complications. The picture, taken in Kremmling, Colorado, was part of Smith’s groundbreaking photo essay for Life magazine in 1948. Photograph: W Eugene Smith/Life/Getty

Derby day 16th at Jägersro, Malmö

Fotoutställning i publikhallen.

På Derbydagen kan du avnjuta Per Erik Berglunds fotokonst med galoppsporten i fokus. Du hittar utställningen i publikhallen närmast mål. Mer info om Per Erik Berglund på www.znapshot.se. Se fler galoppbilder på bloggen znapshotstudio.com

Varmt välkommen!

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Lady Jockeys’ Thoroughbred World Championship

The first Lady Jockeys’ Thoroughbred World Championship was held at Bro Park yesterday evening, on the 4th of July. Exciting! We had a french winner, Maryline Eon. One more competition before making choices and printing for The Derby at Jägersro.

Here is my selection of images from the event. It happened to be many telling eyes.

😊🏇😊  Pelle

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The Met Celebrates Irving Penn, Revolutionary Photographer

They do, and once again I wish I had all the time in the world just going around enjoying exhibitions. Together with Avedon and Albert Watson he is one of my absolute favorite photographers. Over the years I have got so much inspiration from his work. The frozen fruits, cigarette butts, flowers, the backdrops and SO MUCH more. Recently we have been fortunate here in Stockholm to see his work at Åmells. What more could a photographer my age ask for? 😊  Pelle

Top image: A photo shoot for “Mouth (for L’Oréal), New York, 1986.” Credit Irving Penn Foundation, Metropolitan Museum of Art

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An animated portrait of the movie star Marlene Dietrich, shot in 1948. Credit Irving Penn Foundation, Metropolitan Museum of Art

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“Rochas Mermaid Dress (Lisa Fonssagrives-Penn), Paris, 1950.” Penn married the model that year. Credit Irving Penn, Condé Nast and Metropolitan Museum of Art

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Penn’s use of sharp, angled corners in his sets fit the narrow frame of his subject in the portrait “Marcel Duchamp, New York, 1948.” Credit Irving Penn Foundation, Metropolitan Museum of Art

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“Irving Penn: Centennial,” spanning decades of the photographer’s work, opens on Monday at the Metropolitan Museum of Art. Credit Irving Penn Foundation, Metropolitan Museum of Art; Alex Wroblewski for The New York Time