Tag Archives: experience

Read this!!!

This is just a wonderful, moving story about  love of photography. Read the article and see amazing photos from great photographers. By Ceri Jackson, BBC.

😊   Pelle

http://www.bbc.co.uk/news/resources/idt-sh/david_hurn_photographer_swaps_magnum

Swaps – Photographs from the David Hurn collections runs from 30 September 2017 to 11 March 2018 at the National Museum Cardiff

All you’ve got is a box with a hole at the front. That’s what we’ve all got and that’s all we’ve ever had since photography was invented.

“All that happens is the image of life out there goes whizzing through that lens and goes bang onto some material or other and you get a trace of that life on the back of the box. And you’ve got once chance at it, unlike painting or writing you can’t go back and edit, in photography the moment’s gone and will never happen again.

“So, all we have is this box with a hole in the front. So how come if there was a sheep dog trial for instance and Cartier-Bresson, McCullin and Bruce Davidson were there, they are all photographing exactly the same thing but if you showed me 10 pictures from that event I would be able to tell you who had taken what picture?

“It’s the signature of someone which can’t be contrived; it’s the purest thing to their real personality, the world seen through their eyes. The pictures are stamped with the unique style of the individual who shot them.

“But what is necessary for the authorship to come through is an impeccable command of the technical side. The best photographers might say ‘Oh, the technical side is unimportant’. Well, the technical side is staggeringly important but it has got to the point with them that they don’t have to think about it. That only comes through hard work and incessant practice.

“I always stress this point… you’re not a photographer because you are interested in photography.

“The picture is out there, you don’t make the picture, you just have a good visual eye and press the button at the right time. For that you must have an intense curiosity and tenacity, not just a passing visual interest, in the theme of the pictures. This curiosity leads to intense examination, reading, talking, research and many, many failed attempts.

“The idea that there’s no future in taking pictures is nonsensical. If you go to Smiths in Paddington station there’s 3,000 magazines for sale and they’ve all got pictures in them, they’re on websites.

“Everybody’s floundering a little bit as to how to make any money from it but those sorts of problems will be solved, clever people will find ways. Pictures are going to be needed there and the skills are still going to be the same.”

It is a measure of the force of the medium of photography that a picture that probably took a 60th of a second to shoot continues to fuel the life of another man 62 years on.

 

 

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The way I do it

If I shoot 24×36, 6×6, 4×5″ or any other format, 9 times out of 10 I compose and fill the full frame. Just a way I started many years ago and just a way I still work.

From yesterdays races at Bro Park. Enjoy!

😊🏇😊  Pelle

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The Observer W Eugene Smith, the photographer who wanted to record everything

Together with Avedon, Penn, Steichen, Strand, Arbus, Cartier-Bresson, Albert Watson and a few more, he is one of the truly great photographers. For me. They are all different and perhaps I should not compare them. So I don´t. Read the article from The Guardian, by Sean O `Hagan.

See the images and imagine the sound that he recorded.     😊   Pelle

Smith took many famous pictures, but also taped hours of audio of jazz greats, writers and artists of the day in his New York loft. A new book explores his strange world

Smith was perhaps the single most important American photographer in the development of the editorial photo essay. His visual narratives, usually published in Life magazine, were often brutally atmospheric. He evoked the horrors of the second world war in the Pacific, where he was injured by mortar fire, and chronicled the working life of Dr Ernest Ceriani in the small town of Kremmling, Colorado, in his 1948 series, Country Doctor, now recognised as the first extended editorial photo story.

In 1955, Smith became a member of the Magnum picture agency, travelling to Pittsburgh for his first assignment, which entailed producing 100 photographs in three weeks to mark the city’s first centenary. He worked on the project for three years, producing around 21,000 photographs. Today, his legacy is maintained by the W Eugene Smith Memorial Fund, which celebrates and encourages the kind of humanistic photography he pioneered, if not the impossible tasks he set himself and his beleaguered editors.

https://www.theguardian.com/artanddesign/2017/aug/06/w-eugene-smith-photographer-record-everything

Gene Smith’s Sink by Sam Stephenson is published by Farrar, Straus and Giroux on 22 August ($26)

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A US soldier during the final days of fighting to gain control of the island of Saipan from occupying Japanese forces during the second world war. Photograph: W Eugene Smith/Life/Getty
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Smoke pours from the chimneys of an Ohio steel mill in a 1949 picture for Life magazine. Photograph: W Eugene Smith/Life/Getty
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Country doctor Ernest Ceriani photographed after having performed a caesarean section during which both baby and mother died due to complications. The picture, taken in Kremmling, Colorado, was part of Smith’s groundbreaking photo essay for Life magazine in 1948. Photograph: W Eugene Smith/Life/Getty

Fake or not fake. Do you see the difference? Take the test!

These days fake is a common word. Many people present alternative facts and want us to beleive in their truth. This is a very interesting test I noticed in the Washington Post. Read the article and do the test. I have. The research was done in England.

So amid this fakery and our obsession these days with “fake news,” just how good are we at separating fact from fiction when it comes to photos?

Not good at all, says Sophie J. Nightingale, who researches cognitive psychology at the University of Warwick in England.

https://www.washingtonpost.com/news/speaking-of-science/wp/2017/07/17/many-people-cant-tell-when-photos-are-fake-can-you/?hpid=hp_hp-more-top-stories-2_fakephotos-825pm%3Ahomepage%2Fstory&utm_term=.3680317a245d

However, a personal thought. If something is added on a picture, or removed, is very difficult to see and understand. The image of the person at the top of the article is easy. Don´t you agree?

Anyway, we need to be aware and look out for this.  By the way, I had 4. But it could easily have been zero.

Pelle   😉

My first view of China

On my first trip to China recently I took some personal photographs. Very much street photography. China is a very interesting graphic country. What the signs say I don´t know, but I like the looks of them. The images below are mostly from the streets and I can imagine keep right and left…

😊  Pelle

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Old Town, Stockholm

The other day I went to Old Town here in Stockholm. Already filled with lots of tourists. A great place to be. Many cafés and restaurants. Galleries and shops. I went there to test a favorite lens. A TS 45 mm. I like the way I can handle it. Like how I work with my Sinar view  camera. Though it is so much smaller and comfortable to bring a SLR on a walk. This is how my images looks like. 😊 If you get a chance, visit our Old Town! You don´t have to walk among all the tourist shops. There are small adventures on every narrow side street. Perhaps you, as I did, just can stumble upon a small concert in a church.

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The Met Celebrates Irving Penn, Revolutionary Photographer

They do, and once again I wish I had all the time in the world just going around enjoying exhibitions. Together with Avedon and Albert Watson he is one of my absolute favorite photographers. Over the years I have got so much inspiration from his work. The frozen fruits, cigarette butts, flowers, the backdrops and SO MUCH more. Recently we have been fortunate here in Stockholm to see his work at Åmells. What more could a photographer my age ask for? 😊  Pelle

Top image: A photo shoot for “Mouth (for L’Oréal), New York, 1986.” Credit Irving Penn Foundation, Metropolitan Museum of Art

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An animated portrait of the movie star Marlene Dietrich, shot in 1948. Credit Irving Penn Foundation, Metropolitan Museum of Art

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“Rochas Mermaid Dress (Lisa Fonssagrives-Penn), Paris, 1950.” Penn married the model that year. Credit Irving Penn, Condé Nast and Metropolitan Museum of Art

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Penn’s use of sharp, angled corners in his sets fit the narrow frame of his subject in the portrait “Marcel Duchamp, New York, 1948.” Credit Irving Penn Foundation, Metropolitan Museum of Art

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“Irving Penn: Centennial,” spanning decades of the photographer’s work, opens on Monday at the Metropolitan Museum of Art. Credit Irving Penn Foundation, Metropolitan Museum of Art; Alex Wroblewski for The New York Time