Something that I don´t often do. However, with my dear friend Knut, his brother Asle and their wonderful friends in Norway it all went well. We caught lots of fish. Fishing is very relaxing. Also taking care of the net after is contemplative. We had so much of everything and nothing to talk about. First time I managed to photograph fishing as well.
Thanks Knut for letting me borrow your camera!
If I shoot 24×36, 6×6, 4×5″ or any other format, 9 times out of 10 I compose and fill the full frame. Just a way I started many years ago and just a way I still work.
From yesterdays races at Bro Park. Enjoy!
The first Lady Jockeys’ Thoroughbred World Championship was held at Bro Park yesterday evening, on the 4th of July. Exciting! We had a french winner, Maryline Eon. One more competition before making choices and printing for The Derby at Jägersro.
Here is my selection of images from the event. It happened to be many telling eyes.
A selection from yesterdays races. Sun and snow coming down. It started off not good, as my camera didn´t expose more then one image at the time. After some time of intense problem solving I managed to get it working as I would like it to. There are so many things to choose when you are setting up an advanced digital camera. It ended up OK after all, and once again I learned about preparations. Especially with a new camera. You are never too old to learn…
I missed them all yesterday. Almost… 😊🏇😊 Pelle
Simple, beautiful and emotional. There are still great ideas and photographs out there just waiting to be made. 😊 Pelle
© Wes Bell, and the article was found in The Washington Post.
Wes Bell’s series “Snag,” inspired by the death of his mother, takes a beautiful and simple idea and infuses an ordinary scene with great emotional power. There is beauty, loss and poetry in every frame. After 20 years in New York working as an international fashion photographer, Bell returned to his birthplace and to fine-art photography in Alberta, Canada.
In describing this work, Bell said: “Three years ago, I was leaving for the airport after saying goodbye to my mother. She was dying of cancer. On the long drive across the Alberta prairie, I found myself distracted by flapping remnants of plastic bags, caught in barbed-wire fences that lined the ditches. Whipped violently by the wind, they were left shredded and lacerated, but trapped nonetheless in the no man’s land of boundary fences, neither here nor there. Thinking about mortality, pain and death in the context of my mother’s terminal illness, these forgotten shreds of plastic took on a deeper significance — Snag.”
Loss and remembrance are universal, and Bell makes feeling those emotions accessible and visible.
More shots from above, but this time not so high up. The drones has gotten us into thinking in new patterns. The article from Washington Post. 😊 Pelle
Photographer Joseph Philipson saw more than just cuts in the sand on the shores of Long Beach, Calif. He saw the “code that constructs our visual reality,” or the mathematical phenomenon of fractals, mathematical sets that show a repeating pattern at every scale. In nature, fractals can be seen not only on coastlines but also river systems, blood vessels and crystals, to name a few. Philipson noted to In Sight that his images could be “massive landscapes, deep valleys, canyons … it’s a trick of the eye but I’m really only maybe five feet over.”