Category Archives: Play

Old Town, Stockholm

The other day I went to Old Town here in Stockholm. Already filled with lots of tourists. A great place to be. Many cafés and restaurants. Galleries and shops. I went there to test a favorite lens. A TS 45 mm. I like the way I can handle it. Like how I work with my Sinar view  camera. Though it is so much smaller and comfortable to bring a SLR on a walk. This is how my images looks like. 😊 If you get a chance, visit our Old Town! You don´t have to walk among all the tourist shops. There are small adventures on every narrow side street. Perhaps you, as I did, just can stumble upon a small concert in a church.

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No Promises!

When I go to a horse race to photograph I make no promises. Not to me or anyone else. No promises that my images should be sharp, show what horse or jockey, or anything. I go there with total freedom for creating and I don´t  listen to nobody. Surprise me! That is all that I say to myself. Because of that I don´t really know until afterwards in the studio what I brought back. Is it useful and did I surprise myself. Do I like it? At the bottom I have included two of my friends and colleagues. Wolfram and Elina.See you on Sunday again.

Only two images are cropped…

This is a small selection from yesterdays 979 exposures. The one at the top is my favorite.

😊🏇😊 Pelle

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A Fine Selection

Believe me, without images to catch your interest…

https://www.washingtonpost.com/world/here-are-22-of-the-weeks-best-photos/2017/03/31/494d66ba-118f-11e7-9b0d-d27c98455440_gallery.html?hpid=hp_no-name_photo-story-d%3Ahomepage%2Fstory&utm_term=.0fadab8ca845

😊  Pelle

Still Going Strong

Great to see these images from a young Bod Dylan! I was happy to attend his first concert here in Stockholm last Saturday after that he received The Nobel price. A great concert by a great artist. He has changd his hat. 😊  Pelle

As Bob Dylan accepts his Nobel prize for literature this weekend, an exhibition of photographs of him on the cusp of international fame is planned to open in New York. The photographer Ted Russell first met Dylan in 1961 and his intimate pictures of Dylan performing, and at home, are the subject of a show at the Steven Kasher Gallery featuring dozens of images never before seen in the city. Bob Dylan NYC 1961–1964 opens on 20 April and will run until 3 June.

https://www.theguardian.com/music/gallery/2017/apr/01/portraits-of-a-young-bob-dylan-in-pictures

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Trash, or Not Trash!

It sometimes happens that you see photographs that you wished you had done yourself. For me, like these. The gloves I have made, but not the other. I like this. It is colorful, playful and provokes a thought about our consumption society.

Stuart Haygarth walked from Kent to Land’s End, picking up the trash he found on beaches – and arranged it into collections that show us how weird the ordinary objects in our lives can be.

https://www.theguardian.com/artanddesign/gallery/2016/apr/11/stuart-haygarth-strand-book-beach-trash-flotsam-england

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A photographer’s poetic images of paper

Whao!!! Amazing and beautiful. The best i have seen for a very long time.

I found it, to my happiness, in The Washington Post. See the whole series with the link.

“Counterpoint #11.” (Scott F. Smith) is the image above.

There is no guiding force in Scott F. Smith‘s series, “Paper,” except instinct. Beginning with a pristine sheet, Smith makes a series of clean slices. It’s an engaging process of delicate manipulations: pulling the paper, carving it, and modulating light to reveal its inner corridors.

In addition to his studio lighting setup, Smith has a collection of tiny flashlights that he uses to target nooks in his pieces. He uses them to experiment on various types of paper.

Smith is fascinated with the idea of using simple materials as a conduit for expressing different qualities of light. It started when he was a photography student and was given a “white on white” assignment — shooting a white object on a white background — to demonstrate that a huge range of tones could be produced by harnessing light. Smith has since also studied light’s interaction with stone and ice.

Having worked for years printing photographs in darkrooms before going digital, part of this project is connected to his nostalgia for the manual parts of the process. “The draw is just the physical connection,” he said, “In the old days when you had a print in the developer, or you try to massage highlights to get details. … It’s a way to stay in touch with physical, tactile engagement with materials.”

The paper in this project, though, is simply a means to an end. Although he hasn’t thrown any of his paper pieces out (“I’m a little attached,” he said), he primarily hangs on to them to show viewers what his pieces are made of. His main goal is to create abstract images that remind the viewers of other objects or emotions. The most important thing in Smith’s eyes is not the paper, but the resulting photograph.

http://wpo.st/ZTH92

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😊 Pelle