A week ago I went fishing with friends in Norway. Not a rod in sight. I am usually not going around with a camera just in case, but this was different.
😊 Pelle
A week ago I went fishing with friends in Norway. Not a rod in sight. I am usually not going around with a camera just in case, but this was different.
😊 Pelle
Something that I don´t often do. However, with my dear friend Knut, his brother Asle and their wonderful friends in Norway it all went well. We caught lots of fish. Fishing is very relaxing. Also taking care of the net after is contemplative. We had so much of everything and nothing to talk about. First time I managed to photograph fishing as well.
Thanks Knut for letting me borrow your camera!
😊 Pelle
Yesterday was the final race before my exhibition at Jägersro in Malmö upcoming Sunday the 16th. I concentrated on the start. The starters are cool people. Not all horses like to go into the boxes, so some need help to get in. Horses are strong and you better watch out for kicks. One of the first thing I was told when I started photographing horse races was that there is no start car. On the dirt track, or grass, the horses are accelerating so much quicker. The starters has to be quick too. When all the horses are in the boxes they just want to get out of there and race.
Now my biggest problem for the exhibition is to make my final selection of images from all the thousands that I have. There will be just 10-12 to be exhibited.
😊🏇☀️ Pelle
Believe me, without images to catch your interest…
😊 Pelle
Magnum has always been, and is always great photography by great photographers. Oh, there are SO MANY exhibitions I would like to see…
I found this in The Guardian.
😊 Pelle
As part of its 70th anniversary program, Magnum Photos is holding an exhibition of photographs taken in New York City during the early years of the agency, from 1947 to 1960. The show includes classic images from their archive, as well as pictures from their New York office. Early Magnum In & On New York is at the National Arts Club Grand Gallery until 29 April, can be viewed online and prints purchased through Magnum.
Image at the top:
Photographers Elliott Erwitt and Henri Cartier-Bresson, 1959
Photograph: Marc Riboud/Magnum Photos
New York, 1955
Photograph: Elliott Erwitt/Magnum Photos
Sammy Davis Jr looks out a Manhattan window, 1959
Photograph: Burt Glinn/Magnum
James Dean in Times Square, 1955
Photograph: Dennis Stock/Magnum Photos
More shots from above, but this time not so high up. The drones has gotten us into thinking in new patterns. The article from Washington Post. 😊 Pelle
Photographer Joseph Philipson saw more than just cuts in the sand on the shores of Long Beach, Calif. He saw the “code that constructs our visual reality,” or the mathematical phenomenon of fractals, mathematical sets that show a repeating pattern at every scale. In nature, fractals can be seen not only on coastlines but also river systems, blood vessels and crystals, to name a few. Philipson noted to In Sight that his images could be “massive landscapes, deep valleys, canyons … it’s a trick of the eye but I’m really only maybe five feet over.”
Here is another set of drone photography. One perhaps considered as a selfie. Nature from above is often very graphical and beautiful. Just look at these images. Hmmm, just thinking, how many are falling from the sky?
Aerial photography platform SkyPixel received 27,000 entries to its 2016 competition. Here are the winning shots plus some of The Guardians favourites. SkyPixel’s competition was open to both professional and amateur photographers and was split into three categories: Beauty, 360, and Drones in Use.
Photograph: Hanbing Wang/SkyPixel
Photograph: Ge Zheng/Ge Zheng/SkyPixel
Photograph: Brendon Dixon/SkyPixel
Photograph: SkyPixel
The 15 finalists of this year’s Art of Building architectural photography competition have been selected from thousands of entries. Here ( BBC ) we present the photos along with a comment from each photographer.
http://www.bbc.com/news/in-pictures-38301001
I picked these up at BBC. I like the one with ladders especially. That is also an art of building a building. 😉
About the above image: Jonathan Walland: “This is part of a series of photographs demonstrating how the absence of light can be used to divert the attention of the observer towards what the photographer intended to highlight.”
😊
Michele Palazzo: “New York City’s iconic Flatiron building emerges from the blizzard, like the bow of a giant ship ploughing through the wind and the snow. Taken during the historic coastal storm, Jonas, on 23 January 2016, the photograph went viral during the aftermath of the storm.”
Enrique Gimenez-Velilla: “This photo seeks to pay homage to all the clever unknown workers that still build and maintain built infrastructure in the developing world.”
James Tarry: “This series is about looking past imperfections and ‘incorrect’ architectural photography techniques. The expired Kodak Ektachrome was developed in the ‘wrong’ chemicals to produce these big slabs of often other-worldly colour. These are flawed and hopefully challenging, just like some of the buildings themselves.”
Just a few pictures from after the rain. We, and the nature, needed the rain. The thunder came very close. It is always so peaceful after a rain ,so I went out for a short walk. And I brought my camera along.
😀 Pelle
Compared to the wonderful and important images I wrote about yesterday by Nick Brandt, these are just nonsense. But, they had to be made, I think. They are from Diani Beach, Mombasa and from last week. I am not so much for sunbathing so I rather keep to the shadows. Going on my own short walks exploring the surroundings. Looking up, but mostly down 😉