Some like to get their faces dirty. Like some jockeys. Yesterday was an evening on the dirt track, and though it was really dirty there was a very friendly and good atmosphere. Many of them realised the situation and my interest in their dirt covered faces. I think they really enjoyed it. However the evening races are tricky with the flood lights. I am looking forward to another day race soon.
A selection from yesterdays races. Sun and snow coming down. It started off not good, as my camera didn´t expose more then one image at the time. After some time of intense problem solving I managed to get it working as I would like it to. There are so many things to choose when you are setting up an advanced digital camera. It ended up OK after all, and once again I learned about preparations. Especially with a new camera. You are never too old to learn…
Ever so often I feel happy after I have seen a movie from India, France, Italy or from any other country when I don´t recognize the surroundings and/or the actors. Just as great is it seeing interesting photographs from India. More street photography from where the streets looks different. I found it in The Washington Post.
Amateur photographer presents new look at life in India
More often than not, photography coming out of India tends to focus on the “exotic.” We’ve seen the pictures many times before — people performing religious rites in the Ganges River or huge gatherings like the Kumb Mela. So it is refreshing to see work that diverges from this path. Swarat Ghosh’s photographs of street scenes in India do just that. Far from the spectacles we are used to seeing, Ghosh roams the streets transforming the ordinary and banal into the magical. With his photography, he takes us on a journey through found mini-dramas or tableaus that we might ordinarily miss if we’re not watching carefully enough.
Ghosh is not a professional photographer but an avid amateur and student of the medium. In his day job, Ghosh is a lead visual designer at a software company in Hyderabad. His earliest memory of photography was when he began following the work of several street photographers (including Kaushal Parekh and Prashant Godbole) based in India around 2012. His own journey into photography actually came about accidentally at that time when his wife gave him a camera that same year.
The 15 finalists of this year’s Art of Building architectural photography competition have been selected from thousands of entries. Here ( BBC ) we present the photos along with a comment from each photographer.
I picked these up at BBC. I like the one with ladders especially. That is also an art of building a building. 😉
About the above image: Jonathan Walland: “This is part of a series of photographs demonstrating how the absence of light can be used to divert the attention of the observer towards what the photographer intended to highlight.”
Michele Palazzo: “New York City’s iconic Flatiron building emerges from the blizzard, like the bow of a giant ship ploughing through the wind and the snow. Taken during the historic coastal storm, Jonas, on 23 January 2016, the photograph went viral during the aftermath of the storm.”
Enrique Gimenez-Velilla: “This photo seeks to pay homage to all the clever unknown workers that still build and maintain built infrastructure in the developing world.”
James Tarry: “This series is about looking past imperfections and ‘incorrect’ architectural photography techniques. The expired Kodak Ektachrome was developed in the ‘wrong’ chemicals to produce these big slabs of often other-worldly colour. These are flawed and hopefully challenging, just like some of the buildings themselves.”
Just a few pictures from after the rain. We, and the nature, needed the rain. The thunder came very close. It is always so peaceful after a rain ,so I went out for a short walk. And I brought my camera along.