Tag Archives: memories

polaroids, big and small

Stille life with old postcards

Polaroid used to be a material photographers used to secure the exposure, but it also gave us an opportunity to use it more artistically.

It came in 3 1/4×4 1/4″, 4×5″ and 8×10″ size. But also in 20×24″ built for very special Polaroid cameras. I used Polaroids frequently and also made Polaroid transfers. The image was then transferred on to other papers, films etc. I held workshops at Photokina in Cologne and various other places to show how to do.

My images with the 20×24″ camera were made in Stockholm using one of the very few Polaroid cameras that were traveling the world. It never went anywhere without an assistant. To be prepared for the event I made my sketches in 8×10″ on my studio floor. However, the Polaroid camera was huge and I had to nail and glue all my still lifes on a board leaning it to a wall. I just couldn´t tilt it as much as my 8×10″ camera. When you see the camera you will understand. I think the transfers I made with this camera are rare.

That was many years ago, but I still remember it like it was yesterday. During a day I made a total of 4 images. The image above with a selection of postcards after my grandmother. Original image size 20×24″ is 52×62 cm!

I will be back to show some more Polaroid images in other formats and styles that I made.

Polaroid also produced the SX-70 camera, but that is another story.

😊 Pelle

The team from Polaroid and me in the middle.
Me and the assistant working on a transfer. I am so sorry I don´t remember his name.
Still life with old school books and film stars

Footography.

New York, Manhattan

Hi,

In my aim to get this blog up and running again I have decided to start with this image. A well known landmark from New York. The Empire State Building. During frequent visits many years ago that was my main subject for my photography. This is one of the images I like the most. It was not made in an ordinary way, let me tell you. It is no secret. I tripped my small camera, a Minox 35, on my foot. Like this illustration below. It was late afternoon and I needed to steady my camera. People passing by was looking at me wondering what I was doing, though this was NY. Nothing surprises. This was the result from four exposures, I think. I think I could not have made it better aiming with my hands and eyes. Or, what do you think? Without metadata on my film I think it was during the late 70´ or early 80´s.

: ) greetings Pelle

Perhaps to be included in the 2019 calendar

These images could be selected for the 2019 calender. A project I have made for about 20 years together with my dear friend Peter Schaeublin in Schaffhaussen, Switzerland. And the Stamm printers. The calendar has always been a giveaway and is not for sale.

Pelle😊

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I went fishing

Something that I don´t often do. However, with my dear friend Knut, his brother Asle and their wonderful friends in Norway it all went well. We caught lots of fish. Fishing is very relaxing. Also taking care of the net after is contemplative. We had so much of everything and nothing to talk about. First time I managed to photograph fishing as well.

Thanks Knut for letting me borrow your camera!

😊  Pelle

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Read this!!!

This is just a wonderful, moving story about  love of photography. Read the article and see amazing photos from great photographers. By Ceri Jackson, BBC.

😊   Pelle

http://www.bbc.co.uk/news/resources/idt-sh/david_hurn_photographer_swaps_magnum

Swaps – Photographs from the David Hurn collections runs from 30 September 2017 to 11 March 2018 at the National Museum Cardiff

All you’ve got is a box with a hole at the front. That’s what we’ve all got and that’s all we’ve ever had since photography was invented.

“All that happens is the image of life out there goes whizzing through that lens and goes bang onto some material or other and you get a trace of that life on the back of the box. And you’ve got once chance at it, unlike painting or writing you can’t go back and edit, in photography the moment’s gone and will never happen again.

“So, all we have is this box with a hole in the front. So how come if there was a sheep dog trial for instance and Cartier-Bresson, McCullin and Bruce Davidson were there, they are all photographing exactly the same thing but if you showed me 10 pictures from that event I would be able to tell you who had taken what picture?

“It’s the signature of someone which can’t be contrived; it’s the purest thing to their real personality, the world seen through their eyes. The pictures are stamped with the unique style of the individual who shot them.

“But what is necessary for the authorship to come through is an impeccable command of the technical side. The best photographers might say ‘Oh, the technical side is unimportant’. Well, the technical side is staggeringly important but it has got to the point with them that they don’t have to think about it. That only comes through hard work and incessant practice.

“I always stress this point… you’re not a photographer because you are interested in photography.

“The picture is out there, you don’t make the picture, you just have a good visual eye and press the button at the right time. For that you must have an intense curiosity and tenacity, not just a passing visual interest, in the theme of the pictures. This curiosity leads to intense examination, reading, talking, research and many, many failed attempts.

“The idea that there’s no future in taking pictures is nonsensical. If you go to Smiths in Paddington station there’s 3,000 magazines for sale and they’ve all got pictures in them, they’re on websites.

“Everybody’s floundering a little bit as to how to make any money from it but those sorts of problems will be solved, clever people will find ways. Pictures are going to be needed there and the skills are still going to be the same.”

It is a measure of the force of the medium of photography that a picture that probably took a 60th of a second to shoot continues to fuel the life of another man 62 years on.

 

 

The Observer W Eugene Smith, the photographer who wanted to record everything

Together with Avedon, Penn, Steichen, Strand, Arbus, Cartier-Bresson, Albert Watson and a few more, he is one of the truly great photographers. For me. They are all different and perhaps I should not compare them. So I don´t. Read the article from The Guardian, by Sean O `Hagan.

See the images and imagine the sound that he recorded.     😊   Pelle

Smith took many famous pictures, but also taped hours of audio of jazz greats, writers and artists of the day in his New York loft. A new book explores his strange world

Smith was perhaps the single most important American photographer in the development of the editorial photo essay. His visual narratives, usually published in Life magazine, were often brutally atmospheric. He evoked the horrors of the second world war in the Pacific, where he was injured by mortar fire, and chronicled the working life of Dr Ernest Ceriani in the small town of Kremmling, Colorado, in his 1948 series, Country Doctor, now recognised as the first extended editorial photo story.

In 1955, Smith became a member of the Magnum picture agency, travelling to Pittsburgh for his first assignment, which entailed producing 100 photographs in three weeks to mark the city’s first centenary. He worked on the project for three years, producing around 21,000 photographs. Today, his legacy is maintained by the W Eugene Smith Memorial Fund, which celebrates and encourages the kind of humanistic photography he pioneered, if not the impossible tasks he set himself and his beleaguered editors.

https://www.theguardian.com/artanddesign/2017/aug/06/w-eugene-smith-photographer-record-everything

Gene Smith’s Sink by Sam Stephenson is published by Farrar, Straus and Giroux on 22 August ($26)

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A US soldier during the final days of fighting to gain control of the island of Saipan from occupying Japanese forces during the second world war. Photograph: W Eugene Smith/Life/Getty

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Smoke pours from the chimneys of an Ohio steel mill in a 1949 picture for Life magazine. Photograph: W Eugene Smith/Life/Getty

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Country doctor Ernest Ceriani photographed after having performed a caesarean section during which both baby and mother died due to complications. The picture, taken in Kremmling, Colorado, was part of Smith’s groundbreaking photo essay for Life magazine in 1948. Photograph: W Eugene Smith/Life/Getty

My first view of China

On my first trip to China recently I took some personal photographs. Very much street photography. China is a very interesting graphic country. What the signs say I don´t know, but I like the looks of them. The images below are mostly from the streets and I can imagine keep right and left…

😊  Pelle

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The Met Celebrates Irving Penn, Revolutionary Photographer

They do, and once again I wish I had all the time in the world just going around enjoying exhibitions. Together with Avedon and Albert Watson he is one of my absolute favorite photographers. Over the years I have got so much inspiration from his work. The frozen fruits, cigarette butts, flowers, the backdrops and SO MUCH more. Recently we have been fortunate here in Stockholm to see his work at Åmells. What more could a photographer my age ask for? 😊  Pelle

Top image: A photo shoot for “Mouth (for L’Oréal), New York, 1986.” Credit Irving Penn Foundation, Metropolitan Museum of Art

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An animated portrait of the movie star Marlene Dietrich, shot in 1948. Credit Irving Penn Foundation, Metropolitan Museum of Art

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“Rochas Mermaid Dress (Lisa Fonssagrives-Penn), Paris, 1950.” Penn married the model that year. Credit Irving Penn, Condé Nast and Metropolitan Museum of Art

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Penn’s use of sharp, angled corners in his sets fit the narrow frame of his subject in the portrait “Marcel Duchamp, New York, 1948.” Credit Irving Penn Foundation, Metropolitan Museum of Art

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“Irving Penn: Centennial,” spanning decades of the photographer’s work, opens on Monday at the Metropolitan Museum of Art. Credit Irving Penn Foundation, Metropolitan Museum of Art; Alex Wroblewski for The New York Time

 

The photojournalism of Eddie Adams – in pictures

Once a photographer, always a photographer. You don´t have a career for 50 years if you´re not a photographer by heart. A great title for the book. 😊  Pelle

He was best known for his Pulitzer prize-winning photo, Saigon Execution, but Eddie Adams won over 500 awards for his work, throughout a 50-year career. Starting as a photographer in the marines, he covered war zones, refugees, riots and celebrities. Eddie Adams: Bigger Than The Frame is published by the University of Texas Press.

https://www.theguardian.com/culture/gallery/2017/apr/10/eddie-adam-photojournalism-saigon-execution-pictures#img-7

From The Guardian.

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Servicemen lift President John F Kennedy’s casket off a caisson in front of the Capitol, 24 November 1963.

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Marine Corps recruit depot, Parris Island, South Carolina, 1970.

Magnum photographers’ historic shots of New York – in pictures

Magnum has always been, and is always great photography by great photographers.     Oh, there are SO MANY exhibitions I would like to see…

I found this in The Guardian.

😊  Pelle

As part of its 70th anniversary program, Magnum Photos is holding an exhibition of photographs taken in New York City during the early years of the agency, from 1947 to 1960. The show includes classic images from their archive, as well as pictures from their New York office. Early Magnum In & On New York is at the National Arts Club Grand Gallery until 29 April, can be viewed online and prints purchased through Magnum.

Image at the top:
Photographers Elliott Erwitt and Henri Cartier-Bresson, 1959
Photograph: Marc Riboud/Magnum Photos

https://www.theguardian.com/artanddesign/gallery/2017/mar/31/magnum-photos-new-york-city-historic-pictures?CMP=Share_iOSApp_Other

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New York, 1955
Photograph: Elliott Erwitt/Magnum Photos

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Sammy Davis Jr looks out a Manhattan window, 1959
Photograph: Burt Glinn/Magnum

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James Dean in Times Square, 1955
Photograph: Dennis Stock/Magnum Photos