Well, who does n´t? I have just spent a few in the city attending the Gourmand World Cookbook Summit. Spring happened to be there too. Always inspiring. Of course I managed to get some pictures from the Eiffel Tower. Here is a small selection for you.
Only one image is made with my phone…
It has been too long since I last wrote here and showed some images. It will not take that long before next time. More from Paris coming up.
😊 Pelle
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Perhaps it keeps the doctor away. His wife will know.
Great images by and a fine story about Robert Miller.
I made this series of posters. And it was long ago. Then what did I do? Nothing much. It is that long ago that I spelled my name with a hyphen.
😊 Pelle
I am afraid I will, and I am very sorry for that. If you live close enough you SHOULD go there. Paul Biddle is a very good friend of mine, and one of the best photographers that I know. And know of. He has the gift to always creating interesting and surprising images from his imagination.
Photography is also, among many other things, capturing dreams. Seeing the inner vision and to let that come out. Paul is one of the best. I am sure that he and his colleagues will create a wonderful exhibition that will open up your fantasy as well. Go see!
😊 Pelle
Or perhaps human patterns. Any way it is very interesting what a curious and sensitive eye can see from above. Another reason to go to London.
http://www.bbc.com/news/in-pictures-37347873
Canadian photographer Edward Burtynsky is best known for his large-scale images of landscapes altered by industry. An exhibition of his new work Salt Pans, a series photographed from the air above the Little Rann of Kutch in Gujarat, India, is on show in London.
😊 Pelle
Often from an aerial perspective Burtynsky’s pictures have a painterly, abstract quality. This shot, taken in 2012, shows the Thjorsa River in Southern Region, Iceland.
The project documents a disappearing landscape. The geometric patterns detail the network of wells and vehicle tracks made during the extraction of hundreds of tonnes of salt from the area.
Photographer Bruce Davidson was shooting scenes of urban poverty on East 100th Street in New York, when a woman asked him why he was there. When he said he was shooting images of the ghetto, she responded, “What you call a ghetto, I call my home.”
Davidson, a member of the Magnum Photos collective, worked hard to balance the dire situations that residents lived in with moments of beauty and resilience. It was also a common thread throughout his life’s work. No matter the situation, Davidson’s subjects maintained their inalienable right, as humans, to dignity. This is apparent in Davidson’s book, “Bruce Davidson” (Prestel, May 2016), a collection of his most important work including the civil rights era, the subway, a circus and a Brooklyn gang.
While Davidson could take a photo in an instant, reform came slowly. “[My work] doesn’t change anything overnight,” he said via email, “No matter how long I photographed on East 100th St., it wasn’t going to change that fast.”
And I wonder, where are they now? What happened to their lives?
@ Bruce Davidson/Magnum Photos
I found it in The Washington Post
😊 Pelle
Perhaps there will be a calender for the year of 2017. My friend Peter Schäublin, of Schaffhaussen, Switzerland and I have produced one every year since 1998. Missing only two years. Peter is an exceptional graphic designer, and a photographer himself. These are the first outlines.
Images from my “Used gloves collection”.
What do you think?
This will be the year , unfortunately, when many of the most talented left this life. Read more and learn about Marc Riboud.
This is from The New York Times.
Mr. Riboud’s career of more than 60 years carried him routinely to turbulent places throughout Asia and Africa in the 1950s and ’60s, but he may be best remembered for two photographs taken in the developed world.
The first, from 1953, is of a workman poised like an angel in overalls between a lattice of girders while painting the Eiffel Tower — one hand raising a paintbrush, one leg bent in a seemingly Chaplinesque attitude.
The second, from 1967, is of a young woman presenting a flower to a phalanx of bayonet-wielding members of the National Guard during an anti-Vietnam War demonstration at the Pentagon.
Both images were published in Life magazine during what is often called the golden age of photojournalism, an era Mr. Riboud exemplified.
http://www.nytimes.com/2016/09/01/world/europe/marc-riboud-photographer-dies.html?_r=0
This time from BBC, and a look into the history of amazing sport photos.
About the top image:
“Bob Martin’s photograph is so beautifully composed, so structured, that it is only afterward the details come into focus,” writes Buckland. “This is the Paralympics. The rules of swimming are almost identical to the regular Olympics but no prostheses are permitted. Torres has left his legs behind.”
http://www.bbc.com/culture/story/20160816-nearly-200-years-of-incredible-sporting-photos
😊 Pelle
I just found these images in the Washington Post.
Sport is always a possibility for great shots. Look at these and you understand. The very first image is touring the world right now.
It would be great to have the opportunity once to cover an event this size. Color, speed, expression. It has everything. Happiness and sorrow, not to forget. And The Olympics is not over yet…
😊 Pelle
On a photographers mind 