Category Archives: Photographic Art

More Polaroids

8×10″ Emulsion Transfer

I promised to show more Polaroids, and here is another selection.

You could also lift the emulsion from the Polaroid and transfer that to another material. Like here. It was tricky, using warm water and soft brushes. You had to be VERY careful not to destroy the emulsion because it is so very thin.

I became a digital photographer very early. It was not planned, but circumstances had it that way. I never regret that, but I sometimes miss the analog days. Like when I see these images. These are all 8×10″ made with my Sinar camera and lots of patience.

😊 Pelle

polaroids, big and small

Stille life with old postcards

Polaroid used to be a material photographers used to secure the exposure, but it also gave us an opportunity to use it more artistically.

It came in 3 1/4×4 1/4″, 4×5″ and 8×10″ size. But also in 20×24″ built for very special Polaroid cameras. I used Polaroids frequently and also made Polaroid transfers. The image was then transferred on to other papers, films etc. I held workshops at Photokina in Cologne and various other places to show how to do.

My images with the 20×24″ camera were made in Stockholm using one of the very few Polaroid cameras that were traveling the world. It never went anywhere without an assistant. To be prepared for the event I made my sketches in 8×10″ on my studio floor. However, the Polaroid camera was huge and I had to nail and glue all my still lifes on a board leaning it to a wall. I just couldn´t tilt it as much as my 8×10″ camera. When you see the camera you will understand. I think the transfers I made with this camera are rare.

That was many years ago, but I still remember it like it was yesterday. During a day I made a total of 4 images. The image above with a selection of postcards after my grandmother. Original image size 20×24″ is 52×62 cm!

I will be back to show some more Polaroid images in other formats and styles that I made.

Polaroid also produced the SX-70 camera, but that is another story.

😊 Pelle

The team from Polaroid and me in the middle.
Me and the assistant working on a transfer. I am so sorry I don´t remember his name.
Still life with old school books and film stars

Footography.

New York, Manhattan

Hi,

In my aim to get this blog up and running again I have decided to start with this image. A well known landmark from New York. The Empire State Building. During frequent visits many years ago that was my main subject for my photography. This is one of the images I like the most. It was not made in an ordinary way, let me tell you. It is no secret. I tripped my small camera, a Minox 35, on my foot. Like this illustration below. It was late afternoon and I needed to steady my camera. People passing by was looking at me wondering what I was doing, though this was NY. Nothing surprises. This was the result from four exposures, I think. I think I could not have made it better aiming with my hands and eyes. Or, what do you think? Without metadata on my film I think it was during the late 70´ or early 80´s.

: ) greetings Pelle

Your Image has been selected

It has been SO long since I last wrote something here on my blog. Now is a good day to start all over again. This image just got selected by YourDailyPhotograph.com
Last time I published some images was november 2019, from Paris. The year and the visit when this image was made…

Dear Per Erik,

Congratulations. We are pleased to announce our curators have chosen your image for inclusion into YourDailyPhotograph.com. We select a very small percentage of photographs submitted.

We expect your image to post in two days.

You’re in good company — in the recent past images from Henri Cartier-Bresson, Andreas Gursky, Richard Misrach, Andre Kertesz, Edward Burtynsky and other photography legends have appeared in YDP.




A picture a day…

Perhaps it keeps the doctor away. His wife will know.

https://www.washingtonpost.com/graphics/2018/lifestyle/magazine/amp-stories/capturing-washington-city-life-through-street-photography/?hpid=hp_hp-visual-stories-desktop_no-name%3Ahomepage%2Fstory

Great images by and a fine story about Robert Miller.

Skärmavbild 2018-10-08 kl. 10.48.54

“a man with the camera of an artist, the pen of a poet and a genius for the impossible”

Said by Harrison Salisbury about David Douglas Duncan. A life in photography. This is fantastic reading from Washington Post with many great links for more interesting material.

https://www.washingtonpost.com/local/obituaries/david-douglas-duncan-photo-nomad-who-captured-war-and-picasso-dies-at-102/2018/06/07/8b8fb84e-6a93-11e8-9e38-24e693b38637_story.html?utm_term=.bbec8af2b344

Top image, Marine Capt. Ike Fenton during a Korean War battle in 1950.                                (Š David Douglas Duncan/Harry Ransom Center)

😊  Pelle

It is not always as you think it is…

How a Galway Pub Led to a Skyscraper

A friend just sent me this article about another classic image many thought, for good reasons, was made by Hine. A great story. He found it in The New York Times.

🙂  Pelle

I admit

That I don´t often get too impressed by photography that I see. But this is just wonderful. I think! 😀  Pelle

 From Washington Post

Timeless tintypes of the world’s most photographed subjects

https://www.washingtonpost.com/news/in-sight/wp/2017/12/19/timeless-tintypes-of-the-worlds-most-photographed-subjects/?hpid=hp_hp-visual-stories-desktop_no-name%3Ahomepage%2Fstory&utm_term=.854c17288b1e

At Sundance Film Festival, photographer Victoria Will had just minutes with some of Hollywood’s most famous actors and directors — arguably, some of the most photographed people in the world — but she chose a process that at its core is imperfect: tintype.

The 19th century wet-plate photography process predates film. There are no negatives, no large digital files or multiple frames, and no do-overs. Each image is one of a kind.

It starts in the darkroom, where each plate must be coated by hand with light sensitive emulsion. The exposure starts with a comically blinding amount of light, which is reflected off the subject into the camera lens and onto the aluminum plate still wet with emulsion. Any dry patches will remain undeveloped. It is an unforgiving medium. It also makes each image undeniably unique.

“I love that when you make a tintype you are making a thing, a physical photographic object — one that you can hold and experience in a different way,” Will told In Sight. “But I also love the finicky nature of the chemistry. Each plate is one of a kind. In the digital age these two aspects of the medium really inspire me.”

On one of the last pages of the book is a quote from Walker Evans: “The eye traffics in feelings, not in thoughts.” When asked, Will said it sums up what she loves and why she is so drawn to photography. “A successful image for me is one that makes you feel. It needs to touch you in some way,” she said. “I think unconsciously, and clearly articulated by Evans here, photographers are moved by emotion. That’s what is actually pushing the shutter.”

Skärmavbild 2017-12-20 kl. 11.26.39

Now I wish I lived in London

The top 10 photography exhibitions of 2017.

I picked this up in The Guardian.  😊   Pelle

About the top image:  A still from Incoming by Richard Mosse. Photograph: Courtesy of the artist, Jack Shainman Gallery, New York and carlier|gebauer, Berlin.

Perhaps the most widely discussed exhibition of the year, Mosse’s vast three-screen video installation was not strictly photography, but addressed all the issues that the medium is freighted with as it negotiates the post-truth world. Shot on a hi-tech military surveillance camera that registers body heat from as far away as 30km, Incoming reimagined the contemporary refugee crisis as a Ballardian dystopian drama populated by spectral figures moving slowly through an alien landscape. Beautifully observed moments of heightened intimacy – a lone figure praying to Mecca amid the tumult around him – provide breathing space in an almost overwhelming audiovisual installation.

https://www.theguardian.com/artanddesign/2017/dec/13/top-10-photography-exhibitions-of-2017

The Art of Building 2017

Some really amazing photos! Again, from BBC.

The Art of Building is run by the Chartered Institute of Building.

Twelve finalists have been chosen from this year’s Art of Building architectural photography competition. From abstract details to abandoned buildings, here are the chosen images.

The top image: Mehmet Yasa’s photograph is called “the eye of the tower” due to his ingenious positioning of the staircase and bell in this tower in Verona, Italy.

😊  Pelle

http://www.bbc.com/news/in-pictures-42227931