Perhaps it keeps the doctor away. His wife will know.
Great images by and a fine story about Robert Miller.
Perhaps it keeps the doctor away. His wife will know.
Great images by and a fine story about Robert Miller.
Hurricane Red! ( Image at the top ). Winner of Stockholms Stora Pris for the third time and second year in a row with jockey Jacob Johansen.
Images from Bro Park racetrack on the 18th.
😊 Pelle
Said by Harrison Salisbury about David Douglas Duncan. A life in photography. This is fantastic reading from Washington Post with many great links for more interesting material.
Top image, Marine Capt. Ike Fenton during a Korean War battle in 1950. (© David Douglas Duncan/Harry Ransom Center)
😊 Pelle
Horses and jockeys, off course. But there would be no races without starters. They assist the jockeys in loading the horses into the boxes and they help calming some nervous horses. Here are e few images from yesterdays races, and some of the starters at Bro Park. It is always such an inspiration to go there.
First, the races.
And now some starters.
😊 🏇 😊 Pelle
A friend just sent me this article about another classic image many thought, for good reasons, was made by Hine. A great story. He found it in The New York Times.
🙂 Pelle
That I don´t often get too impressed by photography that I see. But this is just wonderful. I think! 😀 Pelle
At Sundance Film Festival, photographer Victoria Will had just minutes with some of Hollywood’s most famous actors and directors — arguably, some of the most photographed people in the world — but she chose a process that at its core is imperfect: tintype.
The 19th century wet-plate photography process predates film. There are no negatives, no large digital files or multiple frames, and no do-overs. Each image is one of a kind.
It starts in the darkroom, where each plate must be coated by hand with light sensitive emulsion. The exposure starts with a comically blinding amount of light, which is reflected off the subject into the camera lens and onto the aluminum plate still wet with emulsion. Any dry patches will remain undeveloped. It is an unforgiving medium. It also makes each image undeniably unique.
“I love that when you make a tintype you are making a thing, a physical photographic object — one that you can hold and experience in a different way,” Will told In Sight. “But I also love the finicky nature of the chemistry. Each plate is one of a kind. In the digital age these two aspects of the medium really inspire me.”
On one of the last pages of the book is a quote from Walker Evans: “The eye traffics in feelings, not in thoughts.” When asked, Will said it sums up what she loves and why she is so drawn to photography. “A successful image for me is one that makes you feel. It needs to touch you in some way,” she said. “I think unconsciously, and clearly articulated by Evans here, photographers are moved by emotion. That’s what is actually pushing the shutter.”
But, every year there are different artists and a new look, so today is not as before. Go there for an almost once in a lifetime experience. I will be back with my images from my visit soon. Article from The Guardian. 😀 Pelle
Founded in 1989, the Icehotel in Swedish Lapland is built from the snow up each year, using ice from the local river. The rooms are designed by international artists and this year feature spacemen and an ice queen
Top image: The hotel has 35 suites, featuring ice carvings designed by 36 different artists from 17 countries. Queen of the North (created by Emilie Steele and Sebastian Dell’Uva) is one of the more intense rooms, with the bed surrounded by the head and hands of an icy goddess.
Photograph: All photos by Asaf Kliger/IceHotel unless stated
I picked this up in The Guardian. 😊 Pelle
About the top image: A still from Incoming by Richard Mosse. Photograph: Courtesy of the artist, Jack Shainman Gallery, New York and carlier|gebauer, Berlin.
Perhaps the most widely discussed exhibition of the year, Mosse’s vast three-screen video installation was not strictly photography, but addressed all the issues that the medium is freighted with as it negotiates the post-truth world. Shot on a hi-tech military surveillance camera that registers body heat from as far away as 30km, Incoming reimagined the contemporary refugee crisis as a Ballardian dystopian drama populated by spectral figures moving slowly through an alien landscape. Beautifully observed moments of heightened intimacy – a lone figure praying to Mecca amid the tumult around him – provide breathing space in an almost overwhelming audiovisual installation.
https://www.theguardian.com/artanddesign/2017/dec/13/top-10-photography-exhibitions-of-2017
Some really amazing photos! Again, from BBC.
The Art of Building is run by the Chartered Institute of Building.
Twelve finalists have been chosen from this year’s Art of Building architectural photography competition. From abstract details to abandoned buildings, here are the chosen images.
The top image: Mehmet Yasa’s photograph is called “the eye of the tower” due to his ingenious positioning of the staircase and bell in this tower in Verona, Italy.
😊 Pelle
A few tips for your camera excursions as winter is coming and snow is painting the world in white. Or gray and brown as it is in some places… I found it in on BBC.
http://www.bbc.co.uk/newsbeat/article/42310311/how-to-take-the-perfect-snow-snap