It is only natural that to get one image you reject many more. Perhaps they don´t fit in or they lack some other quality. These are rejected from being a calendar. Another breeze from my childhood. I must say I have kept most toys in very good condition. So I can still play with them when I like.
Stockholm is built on many islands and water. This is what the boats and quays look like now. From todays short walk at Skeppsholmen. It is -7 C and the fingers are freezing.
This new year, 2016, what are we going to do with it? Are you among those who makes promises? Are you good at it? I don´t do promises for a new year any more. If I decide to do something I do it as quick as possible. ( That doesn´t always mean immediately. 😉 ) No need to wait for a special year. That might just take too long to get it done. A man has got to do what a man has got to do… So, what do I wish for the new year? Same as you I guess. Without trying to win a Mr. World competition, peace on earth. Wouldn´t that be nice? Don´t ask what the world can do for you. Ask what you can do to/for the world. I think that if we all do the small things to us and our friends, and the people we meet, that will make a big difference. Small and big goes well together here.
OK, promise!?
A good day for me starts on my short walk to my studio. ( Breakfast reading today´s news is also fine ). If I meet a friend to say hello to, or If I can smile to a parent whose child is jumping in a puddle. That is a good omen for the new day.
Of course I will challenge myself with some now projects and images again this year. Can I arrange an exhibition with a selection from my horse racing images, or my working gloves? That would be great. And I am open to surprises. Things that I didn´t expect. This year will include an extra day at the end of February. Be sure to use it well!
The first blog of the year will include some images from the archipelago. And some new horse racing images from last Sunday. It is suddenly a white winter up here in the north.
Let us unlock!Don´t chain my heartMemory of summerFrozen
By the way, have you seen and read some of all the articles about the best of 2015? Amazing images and engaging stories.
I went to Copenhagen for a few days and put my eyes in vacation mood. My eyes went up and down, and all around. That is usually how I do to see the surroundings. Mostly I looked down. Mostly, but not always. On the ground were large plates of thick iron for us pedestrians to walk on over ground work here and there. They all had, I guess, the owners initials. Very graphic. I like to do series. When my eyes find one, of whatever, they always find more of the same.
In my growing interest for horses and horse racing I visited a stable today. Stall Malmborg with owner Caroline. Since I don´t know horses I don´t know what angle the ears should be for a horse in harmony. So I am taking myself a lot of liberties here, and I will continue to do so. I am my own employer, and I set my own standard. So this is my personal selection for today.
Tomorrow there will be races again and a a new challenge to do something different.
The Swedish photographer Håkan Ludwigson spent time in Australia in the 1980´s covering cowboys. But: Håkan Ludwigson’s images showcase the brutal beauty of Australia’s cattlemen and women. Shot in the 1980s and initially unappreciated for being too graphic, they form an uncompromising study of outback life and the individuals who pursue it.
Too graphic? Are you kidding? Isn´t that what makes images strong and interesting. However after all these years they are finally being presented in a book. Balls and bulldust / Steidl Books.
First a link to the article ( in The Guardian ) and then a link to the publisher with more great images. The square format is the Hasselblad Trade Mark. Håkan masters it and mentiones that because he was using middle format it was not the same as 35mm. He worked slower. Sometimes he also used flash and that slowed the process even more. The result is amazing and I am happy that these great images finally can get the audience they deserve.
I am wondering. Because he is from a country very far away from Australia, how does that effect his eyes and senses to this strange and different world? Are they more sensitive perhaps than if he was Australian? Perhaps…
I can only laugh. The other day I gave my own images a second chance. Now I find these images that are rejected from a juried art show, but good enough to get a second chance. In another exhibition.
This is something I often wonder about exhibitions. How does the other images look like, the ones not chosen. Would i like them more? On the other hand it is a different thing altogether to see an exhibition that makes you upset or angry. It gets you going and sometimes that is much more creative. I think. In so many competitions, second best is often best.
Portrait Salon describes itself as a salon des refuses – an exhibition of works rejected from a juried art show. Founded by Carole Evans and James O Jenkins in 2011 it aims to showcase the best of the rejected images from the Taylor Wessing Portrait Prize, which is organized annually by the National Portrait Gallery (NPG), in London.
This portrait of Frank Carter is by London-based Phil Sharp.
Once again I find amazing photography on the BBC newspage. This time”Urban photographer of the year”.
Enjoy!
The portrait by Oscar Rialubin from the Philippines is called Xyclops.
Martin Samworth, chief executive of CBRE said: “The competition constantly provides us with new perspectives on working environments within cities. This year was no exception and Rialubin’s intimate portrait of a watch repairman gives insight into a universal trade. Urban life is constantly changing and the beauty of the competition is that it has captured this every year through the winning images.”