Magnum has always been, and is always great photography by great photographers. Oh, there are SO MANY exhibitions I would like to see…
I found this in The Guardian.
As part of its 70th anniversary program, Magnum Photos is holding an exhibition of photographs taken in New York City during the early years of the agency, from 1947 to 1960. The show includes classic images from their archive, as well as pictures from their New York office. Early Magnum In & On New York is at the National Arts Club Grand Gallery until 29 April, can be viewed online and prints purchased through Magnum.
Image at the top:
Photographers Elliott Erwitt and Henri Cartier-Bresson, 1959
Photograph: Marc Riboud/Magnum Photos
Ever so often I feel happy after I have seen a movie from India, France, Italy or from any other country when I don´t recognize the surroundings and/or the actors. Just as great is it seeing interesting photographs from India. More street photography from where the streets looks different. I found it in The Washington Post.
Amateur photographer presents new look at life in India
More often than not, photography coming out of India tends to focus on the “exotic.” We’ve seen the pictures many times before — people performing religious rites in the Ganges River or huge gatherings like the Kumb Mela. So it is refreshing to see work that diverges from this path. Swarat Ghosh’s photographs of street scenes in India do just that. Far from the spectacles we are used to seeing, Ghosh roams the streets transforming the ordinary and banal into the magical. With his photography, he takes us on a journey through found mini-dramas or tableaus that we might ordinarily miss if we’re not watching carefully enough.
Ghosh is not a professional photographer but an avid amateur and student of the medium. In his day job, Ghosh is a lead visual designer at a software company in Hyderabad. His earliest memory of photography was when he began following the work of several street photographers (including Kaushal Parekh and Prashant Godbole) based in India around 2012. His own journey into photography actually came about accidentally at that time when his wife gave him a camera that same year.
It sometimes happens that you see photographs that you wished you had done yourself. For me, like these. The gloves I have made, but not the other. I like this. It is colorful, playful and provokes a thought about our consumption society.
Stuart Haygarth walked from Kent to Land’s End, picking up the trash he found on beaches – and arranged it into collections that show us how weird the ordinary objects in our lives can be.
At the time for the first moon landing I read all there was and cut it out from all magazines and newspapers. I still got it all in my files. Now some of those famous photographs, and some not known, are up for auction. That was also a historical moment for Hasselblad, the Swedish camera manufacturer. A small step for man, but a giant step for mankind…
A set of photographic prints from Nasa’s archives – selected by Barbara Hitchcock and Peter Riva and approved by several of the astronauts – that include the first moon landing, are up for auction in New York. Originally part of a 1985 Smithsonian Institution exhibition, Sightseeing: A Space Panorama, many of the photos had never before been published by the space agency, and are the only known Cibachrome prints made from original Nasa positives
Here is another set of drone photography. One perhaps considered as a selfie. Nature from above is often very graphical and beautiful. Just look at these images. Hmmm, just thinking, how many are falling from the sky?
Aerial photography platform SkyPixel received 27,000 entries to its 2016 competition. Here are the winning shots plus some of The Guardians favourites. SkyPixel’s competition was open to both professional and amateur photographers and was split into three categories: Beauty, 360, and Drones in Use.
People do read, everywhere in the world. Notice that none of the persons in these images are reading on a phone or a computer. I like that, and I like reading. I´d rather read the book instead of seeing a movie from the book. Then I am doing the interpretations and I am setting the cast. My imagination is working for me.
A new book brings together Steve McCurry’s photos of readers, spanning 30 countries. From a steelworks in Serbia to a classroom in Kashmir, they reveal the power of the printed word.
Without the word, without the writing of books, there is no history, there is no concept of humanity.
Back in 1930, Hesse argued that “We need not fear a future elimination of the book. On the contrary, the more that certain needs for entertainment and education are satisfied through other inventions, the more the book will win back in dignity and authority. For even the most childish intoxication with progress will soon be forced to recognise that writing and books have a function that is eternal.”
Many years ago I was given a book with the mentioned André Kertész reading images, and that book is still one of my favorites. Thank you Bruno!
The 15 finalists of this year’s Art of Building architectural photography competition have been selected from thousands of entries. Here ( BBC ) we present the photos along with a comment from each photographer.
I picked these up at BBC. I like the one with ladders especially. That is also an art of building a building. 😉
About the above image: Jonathan Walland: “This is part of a series of photographs demonstrating how the absence of light can be used to divert the attention of the observer towards what the photographer intended to highlight.”
Michele Palazzo: “New York City’s iconic Flatiron building emerges from the blizzard, like the bow of a giant ship ploughing through the wind and the snow. Taken during the historic coastal storm, Jonas, on 23 January 2016, the photograph went viral during the aftermath of the storm.”
Enrique Gimenez-Velilla: “This photo seeks to pay homage to all the clever unknown workers that still build and maintain built infrastructure in the developing world.”
James Tarry: “This series is about looking past imperfections and ‘incorrect’ architectural photography techniques. The expired Kodak Ektachrome was developed in the ‘wrong’ chemicals to produce these big slabs of often other-worldly colour. These are flawed and hopefully challenging, just like some of the buildings themselves.”