Whao!!! Amazing and beautiful. The best i have seen for a very long time.
I found it, to my happiness, in The Washington Post. See the whole series with the link.
“Counterpoint #11.” (Scott F. Smith) is the image above.
There is no guiding force in Scott F. Smith‘s series, “Paper,” except instinct. Beginning with a pristine sheet, Smith makes a series of clean slices. It’s an engaging process of delicate manipulations: pulling the paper, carving it, and modulating light to reveal its inner corridors.
In addition to his studio lighting setup, Smith has a collection of tiny flashlights that he uses to target nooks in his pieces. He uses them to experiment on various types of paper.
Smith is fascinated with the idea of using simple materials as a conduit for expressing different qualities of light. It started when he was a photography student and was given a “white on white” assignment — shooting a white object on a white background — to demonstrate that a huge range of tones could be produced by harnessing light. Smith has since also studied light’s interaction with stone and ice.
Having worked for years printing photographs in darkrooms before going digital, part of this project is connected to his nostalgia for the manual parts of the process. “The draw is just the physical connection,” he said, “In the old days when you had a print in the developer, or you try to massage highlights to get details. … It’s a way to stay in touch with physical, tactile engagement with materials.”
The paper in this project, though, is simply a means to an end. Although he hasn’t thrown any of his paper pieces out (“I’m a little attached,” he said), he primarily hangs on to them to show viewers what his pieces are made of. His main goal is to create abstract images that remind the viewers of other objects or emotions. The most important thing in Smith’s eyes is not the paper, but the resulting photograph.
Writer May-Ying Lam
http://wpo.st/ZTH92
😊 Pelle
His often abstract images feature subjects like machinery sculpting lines into a vast frame. 
His often abstract images feature subjects like machinery sculpting lines into a vast frame. 
It was a hobby until 2011, when his aerial shots of floods in Queensland and New South Wales were featured in a major newspaper.
So he took to the skies, hoping to draw attention to how food and clothing is produced. 
“Here in Australia, we’ve got farmers producing the highest quality produce anywhere in the world,” he said. 
On a photographers mind 