
White background, short depth of field and short exposure time.
And a towel and a bucket to clean up the mess after each exposure…
😊 Photographer Pelle / Znapshot Studio ©
I celebrate that today, on this very day 41 years ago, I photographed Chet Baker at the Fasching Jazzclub here in Stockholm. Some of those images can be seen at my exhibition at Fasching today and until April. I have added the review at the bottom, to be read in Swedish.
I haven´t posted anything here for a very long time. Perhaps today´s post will be a change for the better.
Until next time. 😊





Perhaps it keeps the doctor away. His wife will know.
Great images by and a fine story about Robert Miller.

Hurricane Red! ( Image at the top ). Winner of Stockholms Stora Pris for the third time and second year in a row with jockey Jacob Johansen.
Images from Bro Park racetrack on the 18th.
😊 Pelle














Horses and jockeys, off course. But there would be no races without starters. They assist the jockeys in loading the horses into the boxes and they help calming some nervous horses. Here are e few images from yesterdays races, and some of the starters at Bro Park. It is always such an inspiration to go there.
First, the races.






And now some starters.











😊 🏇 😊 Pelle
That I don´t often get too impressed by photography that I see. But this is just wonderful. I think! 😀 Pelle
At Sundance Film Festival, photographer Victoria Will had just minutes with some of Hollywood’s most famous actors and directors — arguably, some of the most photographed people in the world — but she chose a process that at its core is imperfect: tintype.
The 19th century wet-plate photography process predates film. There are no negatives, no large digital files or multiple frames, and no do-overs. Each image is one of a kind.
It starts in the darkroom, where each plate must be coated by hand with light sensitive emulsion. The exposure starts with a comically blinding amount of light, which is reflected off the subject into the camera lens and onto the aluminum plate still wet with emulsion. Any dry patches will remain undeveloped. It is an unforgiving medium. It also makes each image undeniably unique.
“I love that when you make a tintype you are making a thing, a physical photographic object — one that you can hold and experience in a different way,” Will told In Sight. “But I also love the finicky nature of the chemistry. Each plate is one of a kind. In the digital age these two aspects of the medium really inspire me.”
On one of the last pages of the book is a quote from Walker Evans: “The eye traffics in feelings, not in thoughts.” When asked, Will said it sums up what she loves and why she is so drawn to photography. “A successful image for me is one that makes you feel. It needs to touch you in some way,” she said. “I think unconsciously, and clearly articulated by Evans here, photographers are moved by emotion. That’s what is actually pushing the shutter.”

Some really amazing photos! Again, from BBC.
The Art of Building is run by the Chartered Institute of Building.
Twelve finalists have been chosen from this year’s Art of Building architectural photography competition. From abstract details to abandoned buildings, here are the chosen images.
The top image: Mehmet Yasa’s photograph is called “the eye of the tower” due to his ingenious positioning of the staircase and bell in this tower in Verona, Italy.
😊 Pelle
Something that I don´t often do. However, with my dear friend Knut, his brother Asle and their wonderful friends in Norway it all went well. We caught lots of fish. Fishing is very relaxing. Also taking care of the net after is contemplative. We had so much of everything and nothing to talk about. First time I managed to photograph fishing as well.
Thanks Knut for letting me borrow your camera!
😊 Pelle












If I shoot 24×36, 6×6, 4×5″ or any other format, 9 times out of 10 I compose and fill the full frame. Just a way I started many years ago and just a way I still work.
From yesterdays races at Bro Park. Enjoy!
😊🏇😊 Pelle












Some like to get their faces dirty. Like some jockeys. Yesterday was an evening on the dirt track, and though it was really dirty there was a very friendly and good atmosphere. Many of them realised the situation and my interest in their dirt covered faces. I think they really enjoyed it. However the evening races are tricky with the flood lights. I am looking forward to another day race soon.
😊🏇😊 Pelle













