Tag Archives: Recommendations

Fake or not fake. Do you see the difference? Take the test!

These days fake is a common word. Many people present alternative facts and want us to beleive in their truth. This is a very interesting test I noticed in the Washington Post. Read the article and do the test. I have. The research was done in England.

So amid this fakery and our obsession these days with “fake news,” just how good are we at separating fact from fiction when it comes to photos?

Not good at all, says Sophie J. Nightingale, who researches cognitive psychology at the University of Warwick in England.

https://www.washingtonpost.com/news/speaking-of-science/wp/2017/07/17/many-people-cant-tell-when-photos-are-fake-can-you/?hpid=hp_hp-more-top-stories-2_fakephotos-825pm%3Ahomepage%2Fstory&utm_term=.3680317a245d

However, a personal thought. If something is added on a picture, or removed, is very difficult to see and understand. The image of the person at the top of the article is easy. Don´t you agree?

Anyway, we need to be aware and look out for this.  By the way, I had 4. But it could easily have been zero.

Pelle   😉

Derby day 16th at Jägersro, Malmö

Fotoutställning i publikhallen.

På Derbydagen kan du avnjuta Per Erik Berglunds fotokonst med galoppsporten i fokus. Du hittar utställningen i publikhallen närmast mål. Mer info om Per Erik Berglund på www.znapshot.se. Se fler galoppbilder på bloggen znapshotstudio.com

Varmt välkommen!

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Start me up!

Yesterday was the final race before my exhibition at Jägersro in Malmö upcoming Sunday the 16th. I concentrated on the start. The starters are cool people. Not all horses like to go into the boxes, so some need help to get in. Horses are strong and you better watch out for kicks. One of the first thing I was told when I started photographing horse races was that there is no start car. On the dirt track, or grass, the horses are accelerating so much quicker. The starters has to be quick too. When all the horses are in the boxes they just want to get out of there and race.

Now my biggest problem for the exhibition is to make my final selection of images from all the thousands that I have. There will be just 10-12 to be exhibited.

😊🏇☀️  Pelle

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Lady Jockeys’ Thoroughbred World Championship

The first Lady Jockeys’ Thoroughbred World Championship was held at Bro Park yesterday evening, on the 4th of July. Exciting! We had a french winner, Maryline Eon. One more competition before making choices and printing for The Derby at Jägersro.

Here is my selection of images from the event. It happened to be many telling eyes.

😊🏇😊  Pelle

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Old Town, Stockholm

The other day I went to Old Town here in Stockholm. Already filled with lots of tourists. A great place to be. Many cafés and restaurants. Galleries and shops. I went there to test a favorite lens. A TS 45 mm. I like the way I can handle it. Like how I work with my Sinar view  camera. Though it is so much smaller and comfortable to bring a SLR on a walk. This is how my images looks like. 😊 If you get a chance, visit our Old Town! You don´t have to walk among all the tourist shops. There are small adventures on every narrow side street. Perhaps you, as I did, just can stumble upon a small concert in a church.

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The Met Celebrates Irving Penn, Revolutionary Photographer

They do, and once again I wish I had all the time in the world just going around enjoying exhibitions. Together with Avedon and Albert Watson he is one of my absolute favorite photographers. Over the years I have got so much inspiration from his work. The frozen fruits, cigarette butts, flowers, the backdrops and SO MUCH more. Recently we have been fortunate here in Stockholm to see his work at Åmells. What more could a photographer my age ask for? 😊  Pelle

Top image: A photo shoot for “Mouth (for L’Oréal), New York, 1986.” Credit Irving Penn Foundation, Metropolitan Museum of Art

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An animated portrait of the movie star Marlene Dietrich, shot in 1948. Credit Irving Penn Foundation, Metropolitan Museum of Art

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“Rochas Mermaid Dress (Lisa Fonssagrives-Penn), Paris, 1950.” Penn married the model that year. Credit Irving Penn, Condé Nast and Metropolitan Museum of Art

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Penn’s use of sharp, angled corners in his sets fit the narrow frame of his subject in the portrait “Marcel Duchamp, New York, 1948.” Credit Irving Penn Foundation, Metropolitan Museum of Art

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“Irving Penn: Centennial,” spanning decades of the photographer’s work, opens on Monday at the Metropolitan Museum of Art. Credit Irving Penn Foundation, Metropolitan Museum of Art; Alex Wroblewski for The New York Time

 

The photojournalism of Eddie Adams – in pictures

Once a photographer, always a photographer. You don´t have a career for 50 years if you´re not a photographer by heart. A great title for the book. 😊  Pelle

He was best known for his Pulitzer prize-winning photo, Saigon Execution, but Eddie Adams won over 500 awards for his work, throughout a 50-year career. Starting as a photographer in the marines, he covered war zones, refugees, riots and celebrities. Eddie Adams: Bigger Than The Frame is published by the University of Texas Press.

https://www.theguardian.com/culture/gallery/2017/apr/10/eddie-adam-photojournalism-saigon-execution-pictures#img-7

From The Guardian.

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Servicemen lift President John F Kennedy’s casket off a caisson in front of the Capitol, 24 November 1963.

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Marine Corps recruit depot, Parris Island, South Carolina, 1970.

A Fine Selection

Believe me, without images to catch your interest…

https://www.washingtonpost.com/world/here-are-22-of-the-weeks-best-photos/2017/03/31/494d66ba-118f-11e7-9b0d-d27c98455440_gallery.html?hpid=hp_no-name_photo-story-d%3Ahomepage%2Fstory&utm_term=.0fadab8ca845

😊  Pelle

Magnum photographers’ historic shots of New York – in pictures

Magnum has always been, and is always great photography by great photographers.     Oh, there are SO MANY exhibitions I would like to see…

I found this in The Guardian.

😊  Pelle

As part of its 70th anniversary program, Magnum Photos is holding an exhibition of photographs taken in New York City during the early years of the agency, from 1947 to 1960. The show includes classic images from their archive, as well as pictures from their New York office. Early Magnum In & On New York is at the National Arts Club Grand Gallery until 29 April, can be viewed online and prints purchased through Magnum.

Image at the top:
Photographers Elliott Erwitt and Henri Cartier-Bresson, 1959
Photograph: Marc Riboud/Magnum Photos

https://www.theguardian.com/artanddesign/gallery/2017/mar/31/magnum-photos-new-york-city-historic-pictures?CMP=Share_iOSApp_Other

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New York, 1955
Photograph: Elliott Erwitt/Magnum Photos

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Sammy Davis Jr looks out a Manhattan window, 1959
Photograph: Burt Glinn/Magnum

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James Dean in Times Square, 1955
Photograph: Dennis Stock/Magnum Photos

These forgotten shreds of plastic helped a photographer mourn his mom

Simple, beautiful and emotional. There are still great ideas and photographs out there just waiting to be made. 😊  Pelle

© Wes Bell, and the article was found in The Washington Post.

https://www.washingtonpost.com/news/in-sight/wp/2017/03/13/these-forgotten-shreds-of-plastic-helped-a-photographer-mourn-his-mom/

Wes Bell’s series “Snag,” inspired by the death of his mother, takes a beautiful and simple idea and infuses an ordinary scene with great emotional power. There is beauty, loss and poetry in every frame. After 20 years in New York working as an international fashion photographer, Bell returned to his birthplace and to fine-art photography in Alberta, Canada.

In describing this work, Bell said: “Three years ago, I was leaving for the airport after saying goodbye to my mother. She was dying of cancer. On the long drive across the Alberta prairie, I found myself distracted by flapping remnants of plastic bags, caught in barbed-wire fences that lined the ditches. Whipped violently by the wind, they were left shredded and lacerated, but trapped nonetheless in the no man’s land of boundary fences, neither here nor there. Thinking about mortality, pain and death in the context of my mother’s terminal illness, these forgotten shreds of plastic took on a deeper significance — Snag.”

Loss and remembrance are universal, and Bell makes feeling those emotions accessible and visible.

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