Category Archives: Travel

Read this!!!

This is just a wonderful, moving story about  love of photography. Read the article and see amazing photos from great photographers. By Ceri Jackson, BBC.

😊   Pelle

http://www.bbc.co.uk/news/resources/idt-sh/david_hurn_photographer_swaps_magnum

Swaps – Photographs from the David Hurn collections runs from 30 September 2017 to 11 March 2018 at the National Museum Cardiff

All you’ve got is a box with a hole at the front. That’s what we’ve all got and that’s all we’ve ever had since photography was invented.

“All that happens is the image of life out there goes whizzing through that lens and goes bang onto some material or other and you get a trace of that life on the back of the box. And you’ve got once chance at it, unlike painting or writing you can’t go back and edit, in photography the moment’s gone and will never happen again.

“So, all we have is this box with a hole in the front. So how come if there was a sheep dog trial for instance and Cartier-Bresson, McCullin and Bruce Davidson were there, they are all photographing exactly the same thing but if you showed me 10 pictures from that event I would be able to tell you who had taken what picture?

“It’s the signature of someone which can’t be contrived; it’s the purest thing to their real personality, the world seen through their eyes. The pictures are stamped with the unique style of the individual who shot them.

“But what is necessary for the authorship to come through is an impeccable command of the technical side. The best photographers might say ‘Oh, the technical side is unimportant’. Well, the technical side is staggeringly important but it has got to the point with them that they don’t have to think about it. That only comes through hard work and incessant practice.

“I always stress this point… you’re not a photographer because you are interested in photography.

“The picture is out there, you don’t make the picture, you just have a good visual eye and press the button at the right time. For that you must have an intense curiosity and tenacity, not just a passing visual interest, in the theme of the pictures. This curiosity leads to intense examination, reading, talking, research and many, many failed attempts.

“The idea that there’s no future in taking pictures is nonsensical. If you go to Smiths in Paddington station there’s 3,000 magazines for sale and they’ve all got pictures in them, they’re on websites.

“Everybody’s floundering a little bit as to how to make any money from it but those sorts of problems will be solved, clever people will find ways. Pictures are going to be needed there and the skills are still going to be the same.”

It is a measure of the force of the medium of photography that a picture that probably took a 60th of a second to shoot continues to fuel the life of another man 62 years on.

 

 

The Observer W Eugene Smith, the photographer who wanted to record everything

Together with Avedon, Penn, Steichen, Strand, Arbus, Cartier-Bresson, Albert Watson and a few more, he is one of the truly great photographers. For me. They are all different and perhaps I should not compare them. So I don´t. Read the article from The Guardian, by Sean O `Hagan.

See the images and imagine the sound that he recorded.     😊   Pelle

Smith took many famous pictures, but also taped hours of audio of jazz greats, writers and artists of the day in his New York loft. A new book explores his strange world

Smith was perhaps the single most important American photographer in the development of the editorial photo essay. His visual narratives, usually published in Life magazine, were often brutally atmospheric. He evoked the horrors of the second world war in the Pacific, where he was injured by mortar fire, and chronicled the working life of Dr Ernest Ceriani in the small town of Kremmling, Colorado, in his 1948 series, Country Doctor, now recognised as the first extended editorial photo story.

In 1955, Smith became a member of the Magnum picture agency, travelling to Pittsburgh for his first assignment, which entailed producing 100 photographs in three weeks to mark the city’s first centenary. He worked on the project for three years, producing around 21,000 photographs. Today, his legacy is maintained by the W Eugene Smith Memorial Fund, which celebrates and encourages the kind of humanistic photography he pioneered, if not the impossible tasks he set himself and his beleaguered editors.

https://www.theguardian.com/artanddesign/2017/aug/06/w-eugene-smith-photographer-record-everything

Gene Smith’s Sink by Sam Stephenson is published by Farrar, Straus and Giroux on 22 August ($26)

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A US soldier during the final days of fighting to gain control of the island of Saipan from occupying Japanese forces during the second world war. Photograph: W Eugene Smith/Life/Getty
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Smoke pours from the chimneys of an Ohio steel mill in a 1949 picture for Life magazine. Photograph: W Eugene Smith/Life/Getty
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Country doctor Ernest Ceriani photographed after having performed a caesarean section during which both baby and mother died due to complications. The picture, taken in Kremmling, Colorado, was part of Smith’s groundbreaking photo essay for Life magazine in 1948. Photograph: W Eugene Smith/Life/Getty

Start me up!

Yesterday was the final race before my exhibition at Jägersro in Malmö upcoming Sunday the 16th. I concentrated on the start. The starters are cool people. Not all horses like to go into the boxes, so some need help to get in. Horses are strong and you better watch out for kicks. One of the first thing I was told when I started photographing horse races was that there is no start car. On the dirt track, or grass, the horses are accelerating so much quicker. The starters has to be quick too. When all the horses are in the boxes they just want to get out of there and race.

Now my biggest problem for the exhibition is to make my final selection of images from all the thousands that I have. There will be just 10-12 to be exhibited.

😊🏇☀️  Pelle

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My first view of China

On my first trip to China recently I took some personal photographs. Very much street photography. China is a very interesting graphic country. What the signs say I don´t know, but I like the looks of them. The images below are mostly from the streets and I can imagine keep right and left…

😊  Pelle

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Old Town, Stockholm

The other day I went to Old Town here in Stockholm. Already filled with lots of tourists. A great place to be. Many cafés and restaurants. Galleries and shops. I went there to test a favorite lens. A TS 45 mm. I like the way I can handle it. Like how I work with my Sinar view  camera. Though it is so much smaller and comfortable to bring a SLR on a walk. This is how my images looks like. 😊 If you get a chance, visit our Old Town! You don´t have to walk among all the tourist shops. There are small adventures on every narrow side street. Perhaps you, as I did, just can stumble upon a small concert in a church.

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A Fine Selection

Believe me, without images to catch your interest…

https://www.washingtonpost.com/world/here-are-22-of-the-weeks-best-photos/2017/03/31/494d66ba-118f-11e7-9b0d-d27c98455440_gallery.html?hpid=hp_no-name_photo-story-d%3Ahomepage%2Fstory&utm_term=.0fadab8ca845

😊  Pelle

Magnum photographers’ historic shots of New York – in pictures

Magnum has always been, and is always great photography by great photographers.     Oh, there are SO MANY exhibitions I would like to see…

I found this in The Guardian.

😊  Pelle

As part of its 70th anniversary program, Magnum Photos is holding an exhibition of photographs taken in New York City during the early years of the agency, from 1947 to 1960. The show includes classic images from their archive, as well as pictures from their New York office. Early Magnum In & On New York is at the National Arts Club Grand Gallery until 29 April, can be viewed online and prints purchased through Magnum.

Image at the top:
Photographers Elliott Erwitt and Henri Cartier-Bresson, 1959
Photograph: Marc Riboud/Magnum Photos

https://www.theguardian.com/artanddesign/gallery/2017/mar/31/magnum-photos-new-york-city-historic-pictures?CMP=Share_iOSApp_Other

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New York, 1955
Photograph: Elliott Erwitt/Magnum Photos

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Sammy Davis Jr looks out a Manhattan window, 1959
Photograph: Burt Glinn/Magnum

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James Dean in Times Square, 1955
Photograph: Dennis Stock/Magnum Photos

Finding patterns in Australian farmland

I´d like to go to Australia! Ladies and gentlemen I give you Josh Smith. 😊  Pelle

“The end game for me is producing these series as fine art”.

© all photographs Josh Smith. Article in BBC.

Flying high above farmland, photographer Josh Smith captures colours and patterns not usually associated with rural Australia.

http://www.bbc.com/news/world-australia-38888453

_94006992_14305b65-2eab-412f-be37-17c11c9ddf16His often abstract images feature subjects like machinery sculpting lines into a vast frame.

_94006993_a1405267-ed49-4374-8fce-0f513f3eb09aHis often abstract images feature subjects like machinery sculpting lines into a vast frame.

_94006997_bd80a3ef-04b3-4ae9-89dd-c6b2ec69713b It was a hobby until 2011, when his aerial shots of floods in Queensland and New South Wales were featured in a major newspaper.

_94007052_fertappSo he took to the skies, hoping to draw attention to how food and clothing is produced.

_94007055_202a3807-1a9f-4245-923b-4738de7a0996“Here in Australia, we’ve got farmers producing the highest quality produce anywhere in the world,” he said.

Please like if you like, 😉 Pelle

Turning ordinary into magical

Ever so often I feel happy after I have seen a movie from India, France, Italy or from any other country when I don´t recognize the surroundings and/or the actors. Just as great is it seeing interesting photographs from India. More street photography from where the streets looks different. I found it in The Washington Post.

😊   Pelle

Amateur photographer presents new look at life in India

More often than not, photography coming out of India tends to focus on the “exotic.” We’ve seen the pictures many times before — people performing religious rites in the Ganges River or huge gatherings like the Kumb Mela. So it is refreshing to see work that diverges from this path. Swarat Ghosh’s photographs of street scenes in India do just that. Far from the spectacles we are used to seeing, Ghosh roams the streets transforming the ordinary and banal into the magical. With his photography, he takes us on a journey through found mini-dramas or tableaus that we might ordinarily miss if we’re not watching carefully enough.

Ghosh is not a professional photographer but an avid amateur and student of the medium. In his day job, Ghosh is a lead visual designer at a software company in Hyderabad. His earliest memory of photography was when he began following the work of several street photographers (including Kaushal Parekh and Prashant Godbole) based in India around 2012. His own journey into photography actually came about accidentally at that time when his wife gave him a camera that same year.

https://www.washingtonpost.com/news/in-sight/wp/2017/02/08/turning-ordinary-into-magical-amateur-photographer-presents-new-look-at-life-in-india/?hpid=hp_no-name_photo-story-a%3Ahomepage%2Fstory&utm_term=.d651cd86490b

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